nicco's diary
衣, 食, 住 In No Particular Order
nicco's diary
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thedsgnblog:

Tung    |    http://madebytung.com
"Ryuji Mitani is a renowned contemporary woodworker from Japan. His wood tableware has been exhibited in countless galleries and museums all over Japan and abroad. His solo exhibition at Toronto design shop Mjölk, was his first North American exhibition. The mini brochure designed for the exhibition unfolds, doubling as a commemorative poster."
Tung is a Toronto-based studio specializing in graphic design and art direction within the fields of art, culture and commerce. Founded in 2014 by Emily Tu and Edmond Ng, their practice developed out of a shared desire to create honest, intelligent and beautifully crafted work. They take a grounded and considered approach to design. Their process is decidedly personal – they collaborate with their clients to create thoughtful and compelling responses that reflect their needs and values.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Tung    |    http://madebytung.com
"Ryuji Mitani is a renowned contemporary woodworker from Japan. His wood tableware has been exhibited in countless galleries and museums all over Japan and abroad. His solo exhibition at Toronto design shop Mjölk, was his first North American exhibition. The mini brochure designed for the exhibition unfolds, doubling as a commemorative poster."
Tung is a Toronto-based studio specializing in graphic design and art direction within the fields of art, culture and commerce. Founded in 2014 by Emily Tu and Edmond Ng, their practice developed out of a shared desire to create honest, intelligent and beautifully crafted work. They take a grounded and considered approach to design. Their process is decidedly personal – they collaborate with their clients to create thoughtful and compelling responses that reflect their needs and values.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Tung    |    http://madebytung.com
"Ryuji Mitani is a renowned contemporary woodworker from Japan. His wood tableware has been exhibited in countless galleries and museums all over Japan and abroad. His solo exhibition at Toronto design shop Mjölk, was his first North American exhibition. The mini brochure designed for the exhibition unfolds, doubling as a commemorative poster."
Tung is a Toronto-based studio specializing in graphic design and art direction within the fields of art, culture and commerce. Founded in 2014 by Emily Tu and Edmond Ng, their practice developed out of a shared desire to create honest, intelligent and beautifully crafted work. They take a grounded and considered approach to design. Their process is decidedly personal – they collaborate with their clients to create thoughtful and compelling responses that reflect their needs and values.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Tung    |    http://madebytung.com
"Ryuji Mitani is a renowned contemporary woodworker from Japan. His wood tableware has been exhibited in countless galleries and museums all over Japan and abroad. His solo exhibition at Toronto design shop Mjölk, was his first North American exhibition. The mini brochure designed for the exhibition unfolds, doubling as a commemorative poster."
Tung is a Toronto-based studio specializing in graphic design and art direction within the fields of art, culture and commerce. Founded in 2014 by Emily Tu and Edmond Ng, their practice developed out of a shared desire to create honest, intelligent and beautifully crafted work. They take a grounded and considered approach to design. Their process is decidedly personal – they collaborate with their clients to create thoughtful and compelling responses that reflect their needs and values.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Tung    |    http://madebytung.com
"Ryuji Mitani is a renowned contemporary woodworker from Japan. His wood tableware has been exhibited in countless galleries and museums all over Japan and abroad. His solo exhibition at Toronto design shop Mjölk, was his first North American exhibition. The mini brochure designed for the exhibition unfolds, doubling as a commemorative poster."
Tung is a Toronto-based studio specializing in graphic design and art direction within the fields of art, culture and commerce. Founded in 2014 by Emily Tu and Edmond Ng, their practice developed out of a shared desire to create honest, intelligent and beautifully crafted work. They take a grounded and considered approach to design. Their process is decidedly personal – they collaborate with their clients to create thoughtful and compelling responses that reflect their needs and values.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
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darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
darksilenceinsuburbia:

Helene Veilleux
38e paralléle nord
Candid report of North Korea, photographic dissection of the urban environment, uncanny portraiture … my camera is my preferred tool to explore my inner world and the big one around me.
Website
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subtilitas:

Livio Vacchini - Power plant, Giubiasco 2010. Perhaps a nod to the 1964 Swiss Expo. Photos (C) Marco Introini. 
subtilitas:

Livio Vacchini - Power plant, Giubiasco 2010. Perhaps a nod to the 1964 Swiss Expo. Photos (C) Marco Introini. 
subtilitas:

Livio Vacchini - Power plant, Giubiasco 2010. Perhaps a nod to the 1964 Swiss Expo. Photos (C) Marco Introini. 
subtilitas:

Livio Vacchini - Power plant, Giubiasco 2010. Perhaps a nod to the 1964 Swiss Expo. Photos (C) Marco Introini. 
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megazal:

P021809PS-0069 by The White House on Flickr.
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sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
sizvideos:

Video
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enochliew:

Oliver Ranch Installation by Bruce Nauman
All the treads are exactly the same size, but every riser is different and measures the changing contours every 30 inches.
enochliew:

Oliver Ranch Installation by Bruce Nauman
All the treads are exactly the same size, but every riser is different and measures the changing contours every 30 inches.
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megazal:

All sizes | . | Flickr - Photo Sharing!
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bigmagnets:

the rodina
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worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
worclip:

Arrow Studio (2012-2013) by PHTR Architects
Photographed by Sam Reed and Toby Reed
Location: Tylden, Victoria, Australia

A few years ago our client, Mr White, retired to Tylden in the countryside near Hanging Rock. Our brief was to build a small gallery in the back yard, facing the bush, where he could hang his late wife’s paintings. The gallery would also be used as a study/studio. For security reasons, as well as to maximize hanging space, we were asked to have minimal windows, and for those windows to be framed in a way that intruders could not break in. This became the generator of the shape, which hides the windows behind the screened areas at each end (arrow head, or rotated gables, as the builders referred to them).
The budget, not much more than an off-the-shelf garden shed with slab, was of prime importance, and could not be exceeded. All walls are plywood, which braces the structure and replaces plasterboard on the inside. The galvanised sheets overlapped diagonally form a second skin which helps insulate and protects the ply from the harsh conditions. The roof is an off-the-shelf, all-in-one insulated roofing system (incorporating roofing, insulation and ceiling).
The space between the gallery and the house (an old brick veneer) has become a protected outdoor entertaining area, while on the other side the gallery forms a backdrop for BBQs with a bush setting. At night the room acts as a giant lantern, illuminating the bush garden.
The project was an excuse to do a variation on the modern white cube so often associated with the gallery space. We were also interested in rethinking the Australian steel clad country shed.
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megazal:

Beauty Within, Beauty Without (via Rekishi no Tabi)
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typohan:

Track 9 - 이소라  poster
© joonghyun cho
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bigmagnets:

kambiz shafei
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darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
darksilenceinsuburbia:

Ed Spence

Tumblr Instagram
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subtilitas:

Barclay & Crousse - M6 house, Lima 2013. Photos (C) Cristobal Palma. 
subtilitas:

Barclay & Crousse - M6 house, Lima 2013. Photos (C) Cristobal Palma. 
subtilitas:

Barclay & Crousse - M6 house, Lima 2013. Photos (C) Cristobal Palma. 
subtilitas:

Barclay & Crousse - M6 house, Lima 2013. Photos (C) Cristobal Palma. 
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