nicco's diary
衣, 食, 住 In No Particular Order
nicco's diary
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fiore-rosso:

dave spertine | adistraction.
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2headedsnake:

Yasuaki Onishi
hot glue art
2headedsnake:

Yasuaki Onishi
hot glue art
2headedsnake:

Yasuaki Onishi
hot glue art
2headedsnake:

Yasuaki Onishi
hot glue art
2headedsnake:

Yasuaki Onishi
hot glue art
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megazal:

Buamai - Frozen City | The New Yorker
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Architecture Photography: ARC / BERNASKONI (492941)
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victortsu:

Superstudio. Microevent-Microenvironment, 1972.
(via ANTI-VITRUV & SUPER-BRUNELLESCHI)
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hysysk:

Sans Form - Minimalissimo
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fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
fabriciomora:

How Did Famous Creative People Spend Their Days?
Creative Routines by RJ Andrews  
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gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
gasoline-station:

Sacral Contemplation
Ian Davis, Socks Studio
New-York based artist Ian Davis paints scenes where human beings are reduced to minimal multiplied figures gathering around a monumental presence. The main focus of a sacral contemplation by the anonymous crowd is sometimes a technological artifact, sometimes an infrastructure or a building . It’s the dramatic depiction of a world where man-made artifacts overcome the society of people who produced them, painted in an ironic, almost cartoon-like style.
 
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enochliew:

Manuela is Getting Late by Víctor Enrich
The shadows from the neighbouring building is done well, however the reflection on top of the blue car was missed.